Featured Artist Jennifer Bowman

Painting of old truck in the middle of a field of poppies

“I believe everyone is an artist in some way, whether it is the presentation of a fine meal or the construction of a beautiful home, the wording of a contract or the way a mother raises a child. Each of us has the ability to make art. Mine just happens to be in paint.”

About the Artist

Artist Jennifer Bowman painting in her studio
Jennifer Bowman

Jennifer Bowman is an award winning northwest artist who has been exhibiting and competing professionally for the past 16 years. She has shown throughout the Puget Sound region, Arizona, California, and Mexico. Her work can be found in both private and corporate collections locally to international collections including France and the Netherlands.

Jennifer and husband, Bill, traveled from Seattle to Puerto Vallarta, Mexico and back again on their sailboat during 1996 and 1997. During their travels, she was able to spend an intensive year of study mastering her techniques. Her paintings focused on colorful market scenes, images of bougainvillea-draped buildings, and realistic renditions of the cruising community’s yachts in tropical settings.

When the Bowmans returned to the states, they spent a year in San Diego where Jennifer was commissioned to paint over 40 boat portraits. That number has tripled since then. Her work has graced the cover of 48 Degrees North six times and she has been the Artist for Whidbey Island Race week for two years. The varied and vivid scenic backgrounds of the many boat paintings enhanced Jennifer’s ability to portray nature’s moods. She is the winner of the coveted 2004 Skagit Valley Tulip poster contest and the creator of the 2004 Edmonds Arts Festival poster as well.

She teaches in her hometown of Anacortes, Washington, gateway to the San Juan Islands, where she divides her time between that, keeping up with her nine-year-old son and occasionally going sailing with her husband.

Other Accomplishments and Awards:
2008 HBO Movie “Taking Chances” set dressing prop
2007/8 Quarto Publishing, London: Acrylic and Watercolor Painters
2005 Washington State Heirloom Birth Certificate Design
2004 Skagit Valley Tulip Poster
2004 Edmonds Arts Festival Poster
2004/5 Anacortes Waterfront Festival Poster
2004 MacGregor Publishing Telephone and Visitor Guides
2004 Northlight Books’; Artists Ref Photo Marine Nautical Material
2001 Edmonds Art Festival; Edmonds Mayor’s Purchase Award
1999 Puyallup Fair Exhibition , 200 th Anniversary of Mt. Rainier Award

See Works by Jennifer Bowman at Village Frame & Gallery

Painting of old truck in the middle of a field of poppies
Ol’ Blue Eyes by Jennifer Bowman

Featured Artist Beki Killorin

Close up of watercolor of heron in blacks, grays and whites with an orange crest

“In the creative process, I try to not let the subject matter carry the painting but allow my own self-expression to create the artistic emotion and essence of the subject so that you, the viewer, can complete the story.”

About the Artist

Photo of the artist standing in front of a painting of a heron.
Beki Killorin

Beki Killorin, received most of her training in art in her home state of Oklahoma. Twenty-five years of artistic growth through the mediums of oil, ink, acrylics, collage and watercolor led her to take a major step into printmaking in 1983. The technical challenge of this medium, combined with her already well-defined skill as a professional artist, provided a positive avenue for printmaking as a full time career. Beki’s original prints have been represented by Island International Artists since 1982.

In 1987 Beki and her husband relocated to the Pacific Northwest and from her studio in Washington’s Northern Puget Sound, she has been able to devote full time to the developments of her prints and further refine her skills in her beloved medium, watercolor.

Stepping into the new century added yet another dimension to her portfolio. With the technical advancements of computers came a process of printing known as Giclee. This process generates a print that is technically superior to most other types of reproductions. Archivally treated pigmented inks and fine art rag watercolor paper are used to produce these prints. With some hand embellishment on each one, this process has enabled Beki to expand the horizon of her watercolor imagery into the national marketplace.

Beki’s style provides a contemporary look to familiar subjects that brings a unique life and spirit to each piece she produces. Every work of art or print receives her special imprint … a small red dot that precedes her signature. It is an acknowledgement and affirmation of the wonder of God’s creation and His ever-present and lasting love for all.

Today Beki’s original watercolors, giclees and intaglio prints are represented by galleries both nationally and abroad.

A Sneak Peek of Works by Beki Killorin Available at Village Frame & Gallery

Featured Artist Farooq Hassan

Artist Farooq Hassan in front of one of his paintings

November 7th is First Friday with Farooq Hassan

“Colors are like music … there are many tones. I’m like a composer who writes a piece of music. There is harmony and contrast. When I see an empty space, I put something to cover that emptiness.”

–Farooq Hassan

Artist’s Bio

Artist Farooq Hassan in front of one of his paintings
Farooq Hassan

Hassan spent his youth in crowded cafes and on the docks in Iraq, striving to capture on paper the colorful scenes playing out before his eyes. He disciplined himself to not lift his pencil from the paper, but instead to draw a person with a single line.

As a young man, he taught high school. “We did our best to create art, not politics,” Hassan recalls. He also collected stamps, a hobby that eventually led to an unusual and satisfying outcome–he ended up designing more than 75 commemorative postage stamps for the Iraqi postal service.

For 50 years he built his standing as an artist. His work was exhibited in London, Amman, Basrah, and Baghdad. In Iraq, he was considered a national treasure. Then, politics changed his life forever.

Between 1980 and 1991 Hassan moved 22 times, always one step ahead of political strife in Bagdad. After the Iran-Iraq war ended and the first U.S. Gulf war resulted in sanctions, times were hard and dangerous, and yet, it was a time when art began to flourish again. Hassan devoted himself full-time to his paintings.

Life in Iraq was especially perilous for his daughter, Dalia, a reporter for the Washington Post and translator for the American and NATO forces. She took an opportunity to immigrate to the U.S. and encouraged her mother and father to follow her.

In 2010, Hassan and his wife, Haifa, joined their daughter in Portland, Oregon. Hassan was 71 years old and he had lost everything: his reputation as a master artist, the paintings he had created in Iraq, and his home. So, he set about renewing himself through painting.

Hassan is currently represented by galleries in Iraq, Jordan, and in Portland, The Geezer Gallery. This month, Village Frame & Gallery is proud to exhibit the work of Farooq Hassan. Join us Friday, November 7th for our First Friday reception, 6 p.m. – 9 p.m. to see Hassan’s work for yourself and meet the artist. In addition, local jewelry artist Susan Koch will be showing a selection of her bead designs.

Sample Works by Farooq Hassan

Featured Artist Jerry Hammel

Illustration of distinguished gentleman in turtleneck, smoking a pipe

The Man Behind the Brush

by Susie Hammel

Illustration of distinguished gentleman in turtleneck, smoking a pipe
Jerry Hammel

Jerry Hammel was a very quiet, sensitive and unique man who had style, panache, talent and humor. And through his paintings he spoke. Being an artist was one of the things that gave him happiness and allowed him the freedom to do as he enjoyed.

He started his career as a graphic designer and a commercial artist, but his real loves were his paintings and sketches. Oh, how he enjoyed drawing curvaceous bodies, doing the makeup, clothes and all the details that made “his ladies” original and beautiful. There were some full of humor, some caricatures, some serious and some whimsical. He was able to blend his rich talent between Art Deco and Victorian.

The vibrant colors and the graphic designs of the people he illustrated speak to the complexities of his life made simple in line, form, elegance and strength. He had high expectations of himself and saw no shades of grey. Although Jerry’s art was filled with color, he lived in a world of black and white; Jerry was a perfectionist. Those who knew Jerry admired his creativity, his artistic expressions and his gifted, multi-faceted nature. He never was able to value the uniqueness others saw in him. Others saw what Jerry could not appreciate in himself.

Jerry always needed paper to be available so that he could sketch whatever caught his eye – even when away from “his board”. At restaurants he would sketch on a dinner napkin. He had excellent taste in clothes. He wore a “Greek” cap, smoked a pipe, wore ascots, French cuff shirts, beautiful cuff links – and – never wore jeans.

As you see his paintings, you will find him to be very sensitive and tender, with the heart and soul of an artist.

See Jerry Hammel’s Work in Person at Village Frame & Gallery

If you haven’t had a chance to see this show, make time before the end of October. This is a large exhibit, but several pieces have already found their forever homes. In the meantime, here are a few pieces that illustrate why Hammel’s work is so popular with those who have seen it:

We Have More Jerry Hammel Artwork at the Gallery Right Now

Photograph of gallery wall showing large number of Jerry Hammel's works
Hammel Exhibit

Featured Artist Madaline Janovec

Picture of Madeline Janovec in her garden.

Although Madaline Janovec passed away March 4, 2011, she is still one of Portland’s favorite artists. She left an indelible impression on everyone who knew her. This month, Village Frame & Gallery is featuring Madeline’s work in a special exhibit on display in the shop. Join is for First Friday, September 5th, or our Open House, September 6th to see Madeline’s work in person.

Artist’s Statement

Picture of Madeline Janovec in her garden.
Artist Madeline Janovec

I grew up near the ocean in Redondo Beach, California, but I fell in love with Oregon’s lush, green, wet, mossy scenery while on a trip with my parents at age 14. Oregon felt like heaven to me even at that young age. After studying art at California State University Northridge and California College of Art and Crafts in Oakland, I was finally able to move to Oregon in 1965 with my husband who had enrolled in Portland Museum Art School. I was pregnant at the time with my only child.

In 1973, I moved with my young daughter 40 miles northeast of Portland up the Washougal River drainage area in Washington State onto my family’s 80 acres of forest – 1200 feet above sea level. The location, fairly remote with very few people living nearby, provided lovely views of Mt. Hood and the Upper Washougal Canyon. Perhaps the beauty and the privacy of this space were contributing factors to the spiritual awakening I experienced while living there. My journey into the depths of self-awareness and discovery, allowed me to understand the oneness and connection of all things in life – a profound awareness that affected me deeply and has had a tremendous impact on my life.

Thirty-six years have passed since then and through the years I have come to understand that I have a very deep connection to the earth, and I often feel this connection has intensified with age. In looking back at my art over the years, I realize the birth of my only child and living in the forest (both very grounding experiences) had an enormous influence on the technique and subject matter of my work. My recent travels to Asia have strengthened my mystical connection to certain elements found in nature – rocks, soil, tree bark and moss, and my current work (drawings, paintings, prints and jewelry) seem to reflect this.

I have come to understand my life’s journey has always had a deep impact on my artwork, and looking back through the years, everything seems to make sense to me now.

Madeline’s Life Story

Learn more about her in The Oregonian article “Life Story: Madeline Janovec, a pioneer for women artists.”

Abstract painting by Madeline Janovec

Open House Sept 6th at Village Frame and Gallery

Abstract painting by Madeline Janovec

We are pleased to introduce our new framing and gallery spaces, this month featuring Portland artist Madeline Janovec!

When: Saturday, September 6 at 6:30pm – 10:00pm

Where: Village Frame & Gallery, 7808 SW Capitol Hwy, Portland, Oregon 97219

Can’t make it Saturday? Visit us during First Friday in Multnomah Village! We’re looking forward to seeing you!


Abstract painting by Madeline Janovec


Featured Artist Richard Hall

Horizon I by Richard Hall

Richard Hall is the kind of artist who refuses to fit into a category. He works not only in the media of serigraphy, monoprinting, and etching, but he creates large wall reliefs and freestanding steel sculptures as well, and he paints in acrylics and in other media on large canvases. Some of his works display remarkable depth and antiquity, others possess a style both romantic and timeless, and still others are minimalist and ethereal. The single quality common to all of his works is that they are universally and enthusiastically sought.

Among Hall’s enthusiasts are many corporate and public collectors, including the Trump Taj Mahal and Trump Plaza (New York), Christies Contemporary Art (New York), Princess Cruise Ship Lines (Milano), Wardeh Gimtex (Saudi Arabia), Caesar’s Lake Tahoe (Nevada), Hyatt Wiakalea (Hawaii), Hughes Aircraft Corporation Headquarters (San Diego), Sunland Development (San Diego), Arizona Commission for the Arts (Phoenix), Hyatt Regency (Denver), and the Brayton International Collection (High Point, South Carolina). While his exhibitions are too numerous to list fully, among the largest are Los Angeles Artexpo, New York Artexpo, Tokyo International Art Show, Miami International Art Exposition, Art Asia Hong Kong, Art Detour (Phoenix), and Designers’ Showcase House.

Hall was born in 1952 in Bradford, Yorkshire, the industrial heart of northern England. He attended both the Sheffield College of Art and the Kingston-upon-Hull College of Art, receiving his Bachelor of Fine Arts in Painting in 1976. After earning his Master of Fine Arts from Sussex University, he left England for warmer climates, ending up in the Southwest United States where he pursued the arts of painting and sculpture. In addition to creating his own artwork, he has worked as an Art Director for the last few years, thereby affecting the careers of young artists under his tutelage and reaping the fulfilling rewards of close interaction with these artists. This has proven to be a catalyst for his own artwork, propelling it in new and wholly unexpected directions.

As a boy growing up in England, Hall spent many hours watching his grandfather create fine furniture. According to Hall, “The man was a master craftsman, employing traditional tools and working methods handed down through generations. He passed on to me to joy of creating something unique. I carry on these traditions in my own work.” Today as an adult, he views himself as actually building a painting, in perfect analogy to his grandfather building furniture. “As I ‘build’ a painting or sculpture,” Hall said, “It is often the actual working methods that I am most drawn to. As I learned to finish fine furniture with layer upon layer of polish and wax, so I now find myself working with layer upon layer of texture and color. This method of working triggers memories and feelings that I channel into my art, and it enables me to give form to my ideas.”

Village Frame & Gallery currently has four pieces by Richard Hall. To view them in person, please stop by the Gallery during regular business hours or call for an appointment.

Horizon II by Richard Hall
Classical Code I by Richard Hall
Classical Code II by Richard Hall
Classical Code II by Richard Hall

Featured Artists John and Elli Milan

Image of floral painting by John and Elli Milan

Internationally collected artists John and Elli Milan have a unique creative process. They create their paintings together.

IMG_1756_Milan_600John and Elli met in Hawaii when they were young. They both wanted to be artists, so attended Savannah College of Art and Design, then University of Georgia, where each received a Bachelor of Fine Arts in painting. Soon they were working independently, developing their personal styles, and showing their work in local galleries, but they dreamed of working together.

Today, that dream has come true. Collaborating, they create art neither could create alone. John and Elli explain, “The Spirit of God inspires our work and allows us to create together and maintain a unified vision.” The end result is aggressive and spontaneous layers of paint which create a bright and playful scenario that is interwoven with hints of narrative.

They travel often to Greece, which inspires their artwork and life. Contemporary buildings built around old ruins, and the visible layers of history, have become a metaphor for how the Milan’s see spiritual transformation within themselves and the people around them:

Like these ancient cities, our lives are complex; as we grow and progress the new slowly replaces the old, yet we are often nostalgic for our old self, rather than looking forward with great expectation to our destiny.

The Milans and their four children live in Queen Creek, Arizona, where they have a home studio that is open year round. They are exhibited in galleries and private collections in Canada, Europe, the United States, Philippines, and Dubai.

Village Frame & Gallery is proud to offer works by John and Elli Milan in our gallery. To see these works in person, visit the Gallery Tuesday through Saturday, 10 a.m. – 6 p.m., or by appointment.


First Friday Message from Kaye Synoground


kaye_synogroundI am pleased and honored to be the latest Featured Artist at Village Frame and Gallery!

Since coming to the Village in 1987 I have found both home and endless inspiration in this quaint and friendly environment. Many of you may remember the little studio I maintained here for 16 years in what I always thought of as “the heart of the Village.”

I hope you can drop by and say hello this Friday evening when Village Frame and Gallery will be displaying some of my more recent work as well as some “Village art.” I’ll be at the Gallery from 6 pm to 8 pm.

Below is a sneak peek of some of my artwork. You can enlarge the images by clicking on them. I hope they inspire you to attend my First Friday exhibit.

Warm regards,

Kaye Synoground

Two Persimmons by Kaye Synoground

Two Persimmons

Blue Nude by Kaye Synoground

Blue Nude

Drifters by Kaye Synoground


Our Starbucks by Kaye Synoground

Our Starbucks

Featured Artist Natalya Romanovsky

“I want to transform the beauty around me into shapes. I try to think of my work as a process of simplifying something huge into a manageable pattern.”

–Natalya Romanovsky


natalya-romanovsky-IMG_1762-300Natalya Romanovsky starts every painting with a sketch. Then, as each shape and object “finds it has a soul and speaks to me,” develops her vivid, energetic paintings. Inspired by both folk art and contemporary design, Romanovsky produces oil paintings of dynamic images formed by bold brushstrokes and texturized by etching the work with a wooden skewer.


Natalaya Romanovsky has a childhood memory of a chance encounter with an old man, Jorg Jonkof, who was rumored to have been lost as a child, then found in a city far away. To Romanovsky it was as if Jonkof passed something to her during that meeting. From then on, she was destined to become an artist. At 7 years old, a teacher noticed Romanovsky’s talent and told her mother, “Give her brushes and paint. The child will know what to do.”

She earned her Bachelor of Science in Graphic Design from Chisinau Art College in her native Moldovia. After graduation, she went to work for a popular magazine, contributed to childrens’ publications, and continued to paint. In 1993 Romanovsky immigrated to Cleveland, Ohio.

During her first three years in America, Romanovsky worked odd jobs: McDonalds, babysitting, working at an ad agency, doing art therapy with seniors. Bored, but not knowing many people, she immersed herself in painting more and more. By 1996 she was painting full time.

“I am addicted to painting and must do it every day,” she says. A night owl, she often works until 3 a.m. or later. She also loves music and cruising America’s open roads.

Romanovsky’s work is exhibited in galleries throughout North America and popular with collectors. Three of her works are currently available at Village Frame & Gallery in Portland, Oregon.

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