Gene Flores fans, plan to join us Friday night to see his new show. Plus, we have a pop-up jewelry show with Amerinda Alpern featuring new designs and metals – so cool and ready for fall!
About Printmaker Gene Flores
Printmaker Gene Flores
Gene Flores was born and raised in El Paso, Texas, and earned a BFA from the University of Texas El Paso (UTEP). He also taught basic drawing courses at UTEP and served as the Art Gallery Director. He went on to earn a MA and MFA in Printmaking, with Honors, from the University of Iowa in Iowa City and worked at the Cedar Rapids Museum of Art as a gallery preparator. In 2001, he moved to Portland, Oregon, to teach painting, drawing, and printmaking at Portland Community College and Clackamas Community College. He has been a full-time faculty member at Portland Community College since 2005. Currently, he is Dean of the Visual and Performing Arts and Design division at the Portland Community College Sylvania Campus.
Gene Flores Artist Statement
My works are windows into my view of the world. They are influenced by literature, music, politics, and religion. My images can be described as humorous, insightful, disturbing and thought provoking. I prefer to label them as challenging; challenging viewers and their preconceived ideas of what is right and wrong, what is good and what is bad.
The images continue an internal struggle of what we all see or believe we see, what we do and don’t hear. They question everything I believe to be around me. I enjoy questioning and pushing boundaries, creating images that lead to other images and ideas. A never-ending cycle that enables me to create work without the worries of pleasing the viewer but always challenging them to view things from multiple perspectives, not just their own.
By Gene FloresBy Gene FloresBy Gene FloresUnder the Big Top by Gene Flores
Plus, We Have Jewelry by Amarinda Alpern, Friday Only
Inspired by the beauty of the northwest, Amarinda’s jewelry collection features her interpretations of plants she finds, coupled with nature’s geometry, and reduced to classic mid-century shapes and designs.
By Amarinda Alpern
By Amarinda Alpern
Artist Reception Friday, October 6 with Gene Flores Plus Pop Up Jewelry Show
Join us starting at 6 p.m. for our artist’s reception with Gene Flores at Village Frame & Gallery, 7808 SW Capitol Hwy, Portland, OR 97219. Afterward, do some shopping or grab a bite in Multnomah Village. On First Friday, most merchants are open late.
Traditionally, textiles have not been framed behind glass. But is that the best way to protect your textile artwork? Or a “rule” that can broken? Well, it depends …
There are Several Things to Think about When Deciding to Glaze or Not to Glaze
Where will your art be displayed? Will your textiles be hanging in direct sunlight? Or in an area where they will come into contact with dust, dirt, cooking oil, insects, or smoke? If so, opt for glass, or your textile art will soon be faded, decaying, and dirty.
Are you framing antique textiles? Over time, textiles become extremely fragile. Glazing can radically slow the pace of degradation, particularly if stabilization procedures are used before the piece is framed.
How large is your artwork? Glass can make very large pieces difficult to move. Plexiglas® may be an option, though.
Is the art three-dimensional or does it have drape? Glass may not be appropriate for wavy or formed textiles, clothing, or anything that is not flat. However, if the item needs protection from environmental hazards, discuss the possibility of a shadow box with your framer.
Your Most Important Consideration: A Framer with Textile Experience
Framing textiles is a specialty skill. Your framer needs to understand proper blocking, how to stabilize fabrics and fibers, the conservation needs of different types of textiles, and how to allow for adequate airflow between the artwork and glazing.
Village Frame & Gallery has been trusted by textile artists and conservators since 1999. If you have a fabric or fiber piece you want to protect and show off, bring it to our shop for a free consultation.
This month Village Frame and Gallery is featuring works by Kaye Synoground and other artists from her own personal collection. Kaye, a beloved artist in the Village, passed away two years ago shortly after her final show — also at Village Frame and Gallery. We have framed and unframed original works and prints by Kaye available for sale. Mark your calendar and be sure to stop by in September.
Sneak a Peek at this Month’s Exhibit
By Kaye Synoground
By Kaye Synoground
By Kaye Synoground
Multnomah Village Businesses Will Be Open Late Friday, September 1st
Join your neighbors in the Village this Friday for shopping, dinner, and and a late summer stroll!
Village Frame and Gallery will be closed on Saturday, August 19th for Multnomah Days. Stop in our booth, right in front of the gallery for some fun artwork at very special Multnomah Days prices!
Framing projects may be picked up during Multnomah days, just stop in the booth and we’ll be happy to help you!
This month we are featuring artists from around the Pacific Northwest – from Portland to Puget Sound. Stop in tonight for First Friday and get your cool on! As always, our exhibit is free to the public at Village Frame & Gallery in the heart of Multnomah Village.
Closer to the Earth By Keaney RathbunI Want to Break Free by Jeanette NuxollNocturne by Sharon Augusta Mitchell
Got Mid Century?
We do! Village Frame and Gallery is pleased to offer custom Mid-Century inspired frames, hand-crafted in Multnomah Village. Exclusively at Village Frame and Gallery!
Custom Mid Century Inspired FramesExclusively at Village Frame and Gallery
Village Frame and Gallery is open Tuesday – Saturday, 10 am – 6 pm. We are located at 7808 SW Capitol Hwy, Portland, OR 97219.
I’ve been going through lots of old pictures and keepsakes at mom and dad’s house lately, finding things I didn’t know still existed. My grandfather’s birth certificate, his parents marriage certificate. Pictures of my grandmother when she worked at Mars Candy Company in Chicago, dressed much like Lucy and Esther in the infamous candy conveyor belt scene. It’s rumored that they kept their marriage a secret so that she wouldn’t have to quit her job. I found stock certificates (one share each) from the Walt Disney company in my children’s names emblazoned with Mickey, Donald and the gang, and more.
It’s amazing how much we accumulate over time, scurried away in boxes and stashed under beds or in closets. Recently, one of our customers brought in keepsakes he found in his father’s house – an old photo and a document. To be more specific, it was a Presidential Unit Citation for the capture of U-505 during WWII and a photo of the US crew at sea on the bow of the submarine! The citation was in surprisingly good condition, however the photograph had considerably warped over time and repeated exposure to moisture.
Our customer wanted to preserve and showcase these precious keepsakes together in one frame. He chose a distressed leather moulding with a linen mat and fillet, and then we got to work. Using conservation methods and materials we mounted the citation. Given the fragile condition of the photograph, we created a space in the mounting materials where it would be secure and protected, but not constrained. The resulting presentation is somber, respectful and beautiful.
Mom always wanted to frame the Walt Disney Company stock certificates for my kids. I think she was waiting for them to get older, for when they would appreciate them. We all went on a Disney Cruise when the kids were little. It was a great trip enjoyed by three generations – I still have pictures. I think I know what my kids are getting for Christmas this year.
Do you have old photos you’ve been meaning to frame? Keepsakes you want to display, but you’re not sure how to do it? Bring them in, no appointment necessary, we would be honored to work with you!
Join us Friday at Village Frame & Gallery where Susan Kuznitsky will be on hand to visit with you and demonstrate her craft.
About July Featured Artist Susan Kuznitsky
Susan Kuznitsky
Over 30 years of painting and teaching gives Susan Kuznitsky the experience and confidence to paint any subject in either pastels or oils. Plein air painting is her focus and passion. Susan has a keen eye for composition and detail with a great ability to turn an ordinary everyday scene into something extraordinary. Comfortable in both oils and pastels, Susan likes to work in both mediums to keep things fresh.
Born in Chicago, Susan began her art education as a teenager with the late Joe Abbreccia. This was followed by more training at the American Academy of Art. She later studied with great living masters Albert Handell and Richard Schmid. Susan currently resides in Portland.
If I can leave the world a bit more beautiful than I found it through my artwork, then I have done good. The beauty is everywhere, my job is to translate it onto canvas and share it, to make the ordinary extraordinary.
— Susan Kuznitsky
See Susan’s Artwork at Village Frame & Gallery in July
This exhibit is open to the public, free, starting at 6 p.m. Friday, July 7th, and throughout the month during regular business hours: Tuesday – Saturday, 10 am – 6 pm. We are located at 7808 SW Capitol Hwy, Portland, OR 97219.
Summer is in full swing and we’re all enjoying the warm sunshine. It’s the perfect time to frame those memories, photos or artwork you collected over spring break! Through July 15th we’re offering big discounts on custom framing!
Have something you’ve been thinking of framing? Now is the time to do it. Bring in these coupons (or just pull up this blog post on your phone) and we’ll give you 10% off a single framing project or 15% off two or more projects in your custom framing order.
See You Soon!
We’ll be closed on July 4th for Independence Day. Otherwise, we’re open Tuesday – Saturday,
10 am – 6 pm at 7808 SW Capitol Hwy, Portland, OR 97219.
Our First Friday Artist’s Reception starts at 6 p.m. — Join Us!
This month, we are showing Scott Cordner’s latest exhibit of fine art photographs: Spring Celebration. As always, our exhibit opening and artist’s reception is free to the public at Village Frame & Gallery in the heart of Multnomah Village.
Artist’s Statement
Photographer Scott Cordner
As a photographer and artist, my goal is to create realistic images and prints of natural landscapes that encourage people to spend time in the wild, appreciating and protecting it. And for when those people are not in the wild, I want my prints to remind them of the natural world and help shape the choices they make.
About Fine Art Photographer Scott Cordner
Scott Cordner was destined to become a fine-art landscape photographer. A browse through his portfolio illustrates his passion for the medium and the outdoors.
The pure, unaltered and uncomplicated scenes are captured in the finest light. His exacting prints are made with the best materials that last lifetimes. Hand made hardwood frames from renewable and managed forests are enhanced and finished with environmentally friendly oils and a water-based polyurethane (made from whey, a byproduct of cheese). No detail is overlooked, and it is apparent.
Field of Dreams by Scott Cordner
Scott grew up in the rural Allegheny Mountains of northwest Pennsylvania in the town of Bradford. He spent most of his childhood outdoors, exploring the hills and forests, observing the flora and fauna, cementing his relationship with nature. But when indoors, Scott drew inspiration from his Grandfather, Jack McCutcheon.
Scott loved to draw just like his Grandfather, a self-taught painter and award-winning advertising manager for Zippo Lighters. Like many children, Scott’s artistic creativity was nurtured. In the 8th grade ‘Design an Ad’ contest, Scott took first place with a hand-drawn advertisement for a local Chrysler dealership.
His Grandfather also had a deep connection with the outdoors and wrote a weekly hunting and fishing column for the Bradford Era. He also respected Native American people and their culture, which were often the subject of his paintings.
During middle school Scott took some photography classes, where he learned to develop and print his own photographs. He excelled in math and science, and learned from his father how to take apart and fix things. It was a more traditional career path and one he pursued academically in high school and in college. While his passion for photography still consumed his free time, a degree in Electrical Engineering guaranteed him work and a job designing test equipment brought him to Southern California.
Frustrated with the confines of employment, Scott decided to put his engineering career on hold and set out to hike the Pacific Crest Trail in its entirety – from the Mexican border to Canada. He brought along his first SLR to document the trip, a Canon Rebel 35mm with a kit zoom lens. Six months, four pairs of shoes, thirty-five pounds, 50 rolls of Fuji Velvia later Scott knew he had rekindled his love for the outdoors and his passion for photography. Even now, more than 20 years later, Scott entertains audiences with that early slide show of that 2700-mile trek.
Hiking had put things in perspective for Scott and he took a pragmatic approach when he returned to the workforce. He earned his living mostly through technical work as an engineer while honing his craft as a photographer and printmaker. Those years were special for Scott because weekends were devoted to road trips that introduced him to the iconic landscapes of the American West.
Mystery of the Forest by Scott Cordner
It would still take another ten years before Scott could pursue photography full time but those years weren’t wasted. During those years and after, Scott continued to combine adventure travel with fine art and outdoor photography. He has trekked and mountaineered in Peru documenting the remarkable landscape and the Quechua culture. Scott climbed and stood on the summit of Denali, North America’s tallest peak, and has captured the magnificent hostility of the mountains.
He traveled to Russia’s Lake Baikal – the largest and deepest fresh water lake in the world – in 2002 as part of a team of four to kayak the remote northeast shoreline. While the Russian landscape was stunning, it was the Russian people who captivated him and set the stage for a return visit.
It was then that Scott developed his interest in using his travels and his images to document people and places that matter. Scott used his second trip to Russia’s Far East to promote ‘sustainable travel.’ He photographed the entire month-long expedition to Russia’s Kamchatka Peninsula, including the people and his team’s use of public transportation for self-powered, ski touring instead of the normal skiing style – heli-skiing. His images appeared in Backcountry magazine in connection with an article written about the remote region of Mount Bakening, a now extinct volcano located in the center of the Kamchatka Peninsula.
With the explosion of digital photography and printing, Scott drew from his technical background and started scanning his film and slides. Using digital cameras, he eliminated film and the harsh chemicals used to develop it from his practice. He started producing images with pigment inkjet printers. His printing style removes chemical processing from the equation and will last hundreds of years instead of fading like traditional color prints.
Waters from Above by Scott Cordner
Desiring to create a better overall presentation of his photographs, six years ago Scott experimented with woodworking and now crafts his own frames. His process includes milling the wood by hand to create strikingly simple frames that naturally complement his photographs.
Scott is fast-becoming known for his large, panoramic prints, which capture the quiet magnificence and individuality of ordinary scenes. In fact, he shies away from more common and well-known iconic landscapes. “I am so proud to hang Scott’s work in our Gallery. His photos have such emotion, movement and vibrancy,” says Tamara Breunig, owner of United Wood Craftsmen Gallery. “You feel like they are a window to his world. His talent for capturing the moment is so real. It’s as if one could just walk into the photos and explore the spot where he took them. His work has such a sense of peace, and our clientele thinks so too.”
Collectors demand for his prints has grown because they feel a connection to the scene. Scott shows his work at art exhibits and fairs, in lifestyle retail stores and in fine art galleries. Scott has also sold collections of his finished prints to corporate offices. One of his corporate clients said this of his work, “Everyone is still raving about the prints, Scott. Thanks again for sharing your talent!”
Scott is focusing on conservation photography. He believes if someone notices an image of his, it becomes an opportunity to start a dialog about nature in general and the importance of preservation specifically. His ultimate goal is to create more stewardship of these important though lesser-known places throughout the world.
Spring Celebration Will Be On Exhibit Throughout June at the Gallery
Can’t make it on First Friday? No problem. Stop by any time during regular business hours in June. We’re open Tuesday – Saturday, 10 am – 6 pm, at 7808 SW Capitol Hwy, Portland, OR 97219.
More First Friday Goodness
We’re not the only business in Multnomah Village that stays open late on First Fridays. Come to the Village for dinner, shopping, art, and a nice walk on a summer evening.
Join us this Saturday at Village Frame & Gallery in Multnomah Village
Another chance to see watercolorist Scott C. Johnson paint, learn more about his methods and process, and find out how his paintings get started. Stop in anytime between 12pm and 4pm!
Free, open to the public at 7808 SW Capitol Hwy, Portland, OR 97219.